Mi³o¶æ to uczucie, którymi zakochany cz³owiek potrafi obj±æ nie tylko inne osoby, ale tak¿e wyobra¿enia pewnych spraw, a nawet elementy nieo¿ywione. Kochaæ mo¿na z lub bez wzajemno¶ci wiêcej...
moje k³amstwa to cudowny ¶wiat pejza¿y
zanurz siê w nim na d³u¿szy czas
poznasz setki barw setki s³ów
dowiesz siê kiedy prawda nie ma znaczenia
krête drogi pn± siê zawsze pod górê
b±d¼ ostro¿ny
za rogiem czaj± siê wiêcej...
Gdy Iza wróci³a z zaleg³ego urlopu, spotka³o j± zaskoczenie. Prezes zak³adu, który by³ okazem zdrowia, nagle siê rozchorowa³ prawdopodobnie dosta³ zawa³ serca. Natomiast jego stanowisko, obj±³ kto¶ zupe³nie nieznany. Ju¿ na pierwszy rzut oka by³o mo¿na wywnioskowaæ, ¿e facet nie mia³ pojêcia, o powierzonym wiêcej...
O tym, jak wiele w ¿yciu zale¿y od nas, o tym, ¿e "m³odzi" i "starzy" nie ¿yj± w odseparowanych gettach, o przewrotno¶ci losu i przewrotno¶ci dobra opowiada Jolanta Kwiatkowska, autorka powie¶ci wiêcej...
As a set of institutions or meanings, culture has become a key ingredient in development projects which decide on the aspects of cultural, and social life that contribute to income or social well being. Yet the evaluation of practical and theoretical implications of this cultural shift in development has often been abstract. By contrast, this volume offers a grounded engagement with culture as it enters into development paradigms, institutions and local dynamics. Using recent research on development projects around the world, this book argues that culture has become an explicit tool and framework for development discourse and practice. Providing a theoretical and empirically informed critique, this informative book includes conceptual overviews and case studies on topics such as: development for indigenous people natural resource management social capital and global markets for Third World music post-apartheid South Africa cultural difference in the USA’s late capitalism. The editor concludes by evaluating the outcomes of development’s ‘cultural turn’, proposing a framework for future work in this field. By combining case studies from both ‘Third World’ and ‘First World’ countries, the book, ideal for those in the fields of geography, culture and development studies, raises innovative questions about the ‘transferability’ of notions of culture across the world, and the types of actors involved.